Showing posts with label Sucks. Show all posts
Showing posts with label Sucks. Show all posts

Friday, April 24, 2015

Your Portfolio Site Sucks, Here"s How to Fix It

I need to start with a disclaimer. When I say “sucks”, I don’t mean your design (which I’m sure is beautiful). I mean, does your portfolio site bring you clients on demand?


No? Then it sucks. But don’t worry. Mine used to suck too. So did everyone else’s.


There’s a big problem in the design community. We don’t know how to sell our services. In fact, we fail miserably at it. It’s the part of the biz we didn’t realize we had to do, and by the time we figured it out, the rent was already due and we had to put food on the table.


I hope to help you overcome that in this blog post.


I co-run an agency, Unexpected Ways, and from many years of testing, tweaking, and refining, we finally turned our website into a predictable source of business. We turn on ads and traffic sources when we want clients. We turn them off when we don’t.


It really can be that simple.


Right now we’re undergoing a major renovation based on even more things we’ve learned – but here are some of the biggest lessons that made the last version of our site such a huge success.


Preparing Your “Client Magnet” Website


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The first thing you need to do is the thing I see missing most: address your market’s problems, and talk about how you solve them.


That’s the goal of your website: to convince your market that you’re capable of helping them solve their problems. If you do that, you win their business. That’s how it works.


The first step to that is to know what their problems are in the first place. Think back to your past clients. What were their goals? What problems did they face with other designers? What did they really want from your services?


Ponder this over for a while, and write out a list of these problems. Then set it aside. It’s going to come in handy in every piece of marketing you ever do to promote yourself.


What Pages Do I Need?


Let’s talk about the overview of your portfolio site. Then I’ll go into the “nitty gritty” and give you concrete steps for creating content that sells.


Unless you’re mega-famous and power the world’s top brands, you need to dedicate a good portion of your site to selling yourself. I’ve found that the following pages work best:


  • Home

  • Services


    • Service 1

    • Service 2

    • Service 3

    • Etc.


  • Portfolio

  • About

  • Contact

Your home page creates a splash and conveys your core brand message. Your main “services” page lists each of your services with a 1-2 sentence description that links to the individual services pages. Your individual services pages discuss how you perform each of those services, how they helps clients solve their problems, and what makes you different.


Even mega-agency Razorfish has a page for each of their services (each phrase under “offerings” links to a page describing a single service):


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The “Portfolio” page seems pretty self-explanatory, but the rest of this blog is dedicated to how to organize one, because aside from your home page, it’ll be your most visited page.


“About” isn’t your bio or resume. It’s your “hero tale” – how you discovered design, how you help clients, why you do what you do. It still needs to sell, so the facts of your life / story that you reveal need to tie back into how they help you solve your clients’ problems.


Again, “Contact” seems straightforward, but it can be tricky to do it right. Just keep these words in mind though and you’ll do alright: approachable, approachable, approachable. Make reaching out to you feel natural, fun, and easy.


The Portfolio: A: Provide Background


If design is function + form, then the only way you can know if the “function” side of things is up to par is to know what problems it’s attempting to solve. Basically, in each of your portfolio pieces, present what challenges / problems / goals your clients faced for the particular projects you’re highlighting.


What was going on that they needed to hire you in the first place? Start each portfolio piece off with a short paragraph that discusses this. State who the client is, and what they wanted to accomplish.


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Here’s a great example from agency Zumeo:


OpentoHope.com is an online community where individuals can share inspirational stories of loss and love… Open to Hope was faced with the challenge of providing users with a safe place to share, as well as discovering and contributing helpful resources.


The Portfolio: B: Images Aren’t Enough


Design is about choices. Why that color? Why that shape? Why that font? In each of your portfolio pieces, discuss the choices you made along the way. This is your chance to show off how thoughtful you are.


Break down elements of your pieces that aren’t so obvious, and explain how they helped your client achieve their goals. Discuss the mood the colors create, the message the font conveys, the feeling the photography portrays.


Show off how smart you are, and that your design comes packaged with a whole lot more than just beauty.


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Here’s another great example from Zumeo on a campaign they did for Adidas:


“… Our goal was to create a single, responsive web page highlighting top shoes. The page would include audio, video, text, and ‘tech specs’. Each page would match the shoe color and style and tell a story. We chose to highlight the Adidas Roundhouse from Journeys. In this case, we wanted to think outside of the traditional sports box and focus on the fashionable side of the shoe…”


And one more example from these guys from another campaign for Incase:


“In order to showcase multiple products in a simple way, we created a Parallax scrolling system with new products at the forefront. The two product rows would scroll faster than the campaign, and in turn, the campaign would collapse with the scroll.”


The Portfolio: C: Quality Over Quantity


Your portfolio is only as strong as your weakest piece. Leave out anything that brings the group down as a whole.


Studio “Design Embraced” has only 5 portfolio pieces, though each one powerfully shows what they’re capable of:


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The Portfolio: D: Incorporate Testimonials


Now that you’ve discussed your clients’ problems and how you overcame them, drive this home with a short snippet of a testimonial. Just a fragment of a sentence, a single sentence, or a few very short sentences of your client expressing their gratitude will do.


Testimonials that discuss the following get you extra brownie points:


  • How easy you are to work with

  • How much extra revenue the client generated because of your design (a percentage or even just a vague statement works too)

  • How happy your client’s customers are with the work

This is because everyone has heard the horror stories of working with designers who are a pain in the butt. The first kind of testimonial eases that fear. Another major fear clients have is, “Will this even pay off?”


By showing testimonials from real people saying it pays off in droves, you’re countering that fear.


And finally, people want to know that other people will like and respect their branding – in particular, their customers. The third testimonial type eases this worry.


From the “Open to Hope” portfolio piece above, I found this later on the page, mixed right in with the images and background info:


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The Portfolio: E: Big Images


Display your work big, bold, and beautifully. (It probably goes without saying, but I’ve come across many designer portfolios that featured thumbnails and nothing else.)


Services


An “easy” way to create the content for your services pages is to go through this exercise:


List out all the steps you take for each service. Then list why you take that step, and how it helps your clients in the end.


For example: Do you do market research? Why? How does it help?


Our website is currently under construction, but up until recently, this was a blurb on our “Websites” page that outlined one unique benefit:


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That page listed our key benefits, as well as key parts of our process.


Contact


Unless you’re overflowing with leads, you want to make contacting you feel as easy as possible.


Here’s what you don’t want to do:


  • Make it feel “risky,” or like you’re going to have a “heavy” or lengthy conversation

  • Make it feel burdensome

  • Make it feel time-consuming

I like phrases like “Let’s talk” for contact pages because they make it sound like you’re just going to have an easy, laid back chat about the project. It’s easy to transition from a laid back convo into a lengthy, heavy, and deep conversation.


But you’ll never get to the important stuff if you don’t make it approachable.


If you have a contact form, make it feel fun to fill out. Ask for info in unique ways. Don’t get carried away with fields – use as few as you possibly can.


(Again, unless you’re overflowing with leads. If so, make yourself less approachable so only the most eager of prospects reach out.)


To start, I’d have the following:


  • First & Last Name

  • Email

  • Phone Number

  • What are you looking for help with? (Have a checkbox for each of your services)

  • When’s a good time to talk? (Message box with something like “Thursday at 2pm” pre-filled in)

That’s it. Before the form, I’d put text that makes the contact process feel easy and inviting, For example:


Let’s talk!




I’d love to hear about your project, and see if we’re the right fit to help you grow. Fill out the form below or give us a call at [number] and we’ll make it happen.

[form]


Some Closing Thoughts


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It might take time to really get your website down, but it’s the centerpiece of your marketing, so it’s worth it. Start with these tips, and then grow and evolve your site based on the feedback you get from customers.


Don’t get bogged down with what other designers say. There’s only one audience whose input into your site matters: your market.


Your market is giving you good feedback when they contact you after viewing your site. They’re giving you bad feedback when they don’t. It’s as simple as that.


Questions? Thoughts? Leave Them Below


Feel free to leave a comment below and ask any questions you might have. I’d love to help in any way that I can.



David Tendrich is the co-head of creative agency Unexpected Ways, as well as the co-founder of Reliable PSD: the first-ever PSD to HTML & PSD to WordPress service run by designers, for designers. He co-runs his companies from Portland, Oregon with his lovely wife and business partner, Lou Levit.

Products Seen In This Post:


      



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Your Portfolio Site Sucks, Here"s How to Fix It

Thursday, April 16, 2015

Hillary Clinton’s Logo Sucks — Who Cares? Everyone, Apparently

In case you weren’t on social media over the weekend (we’re looking at you, Bob), you may have missed the news: Hillary Clinton has officially decided to run for president. And with that announcement, came a logo — and a whole bunch of fuss.


First, let’s take a look at the logo in question:



Alrighty, so it’s not particularly inspired, and maybe it was drafted using a ruler and a copy of MacPaint. Does that mean that it’s bad? Let’s check in on Twitter:





Yeah, that last one isn’t just a stretch, it’s in bad taste, but whatever.


Oh, and the best one yet:



That’s right folks, Hillvetica. Brilliant.


And then there are multiple posts on various websites about the same thing. So who cares? Everyone, apparently.


Why It Does/Doesn’t Matter


Ultimately, none of this should matter. Hillary Clinton is doing something historic: she’s the second woman to run for the office of president (and let’s not forget that she ran in 2008), and some are saying that she has a real shot. What should matter here is her politics, not what her design team built. Judge her on her stance on the issues, not whether or not her designers know how to use a French Curve.


But then there’s the Obama logo. Remember this?



or this?



Whether you like Obama or not, he certainly set a new standard for political branding. His logo, and the subsequent Shepard Fairey poster, became icons of the 2008 campaign. Would he have won without that design team behind him? Who knows.


The point is, Hillary’s logo matters because she has to at least meet the standards of the sitting president. But it shouldn’t matter, because it’s her politics that should count, right? Maybe?


I guess we’ll all find out come next year.


Or, maybe we’ll find out sooner when she puts out a new logo that’s a hologram with a cat in it or something. Maybe that’ll make the Internet happy.



Kevin Whipps is a writer and editor based in Phoenix, Arizona. When he’s not working on one of the many projects in his queue, he’s looking for fun and irreverent things online to share with his friends.
Hillary Clinton’s Logo Sucks — Who Cares? Everyone, Apparently

Thursday, March 26, 2015

How to Find Out If Your Work Sucks

Feedback is an invaluable tool to grow your career. A single thoughtful review, at the right point in time, can be the difference between success and failure. Listening to a second, third or fourth opinion about your work will only enrich it, opening the door for interesting new perspectives. Why, then, are some of us so reluctant to seek feedback? Why are we so scared of finding out what others truly think?


It all comes down to our natural fear of rejection: we are biologically wired with a longing to belong. Deep inside, we also want to convince ourselves that others have no “right” to criticize our work because they weren’t there when we were building up to it. They didn’t hold our hand during those tedious all-nighters, or serve hot coffee when creative blocks struck. Unfair, right? Wrong. As an author, I’ve experienced what it feels like to have your work (literally) shredded by someone who has no idea about your process. I can tell you, in all certainty, that it’s one of the best things to ever happen to my career. Throughout this article, I will share how feedback can change your work and, in doing so, your life.


Lies That We’ve Believed about Feedback


We’ve grown up believing that feedback is a form of validation. As kids, we constantly looked up to our parents for approval on our actions and to teachers for evaluations on our performance in school. It is no surprise, then, that as adults we resent those moments when others get to judge the quality of our work. In the workplace, managers and bosses constantly hold assessments to gauge our performance. When you think about it, we’ve always seen feedback as this terrifying thing that can completely ruin our chances of success. And how could it feel any different, if it has always taken the form of tests, quizzes, and other dreadful experiences?


One day I found a different definition of feedback that radically transformed my career. It came from engineering, of all things. You see, as it turns out, feedback is actually a technical word to describe what happens when a system generates an output and there are improvements that could help increase production next time around the loop. Feedback is essential for continuous improvement, and methods like the Lean Startup and Six Sigma highlight how crucial it is to measure the quality of your output, listen to others’ evaluations, and learn from those to create increasingly stellar products.


Lean and Six Sigma


Feedback started making sense. Soon, I felt ready to not only receive it, but also actively seek it. It became clear to me: no lessons, no improvement. No outside opinions, no diverse approaches. No feedback, no innovation. Bingo. Feedback is creative fuel.


Why Is Feedback Important to Create Great Work?


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Designers and agencies of all sizes recognize the importance of introducing feedback sessions to improve the quality of their work. Getting early responses to your product can minimize the risk of failure, overspending or overthinking. By testing the waters for potential issues, you are saving valuable time and effort in building unnecesary or unfitting features.


Ed Catmull, current president of Pixar Animation Studios, introduced the concept of a critique session called Braintrust in Creativity Inc. In his words, “candor could not be more crucial to our creative process. Why? Because early on, all of our movies suck”. Even established creative companies like Pixar open channels for discussion, straight talk, and criticism. Their Braintrust sessions are relentlessly candid, and involve different types of storytellers from diverse fields who sit down to critique an upcoming production. The Pixar team is a true believer in the “power of bracing, candid feedback and the iterative process—reworking, reworking, and reworking again, until a flawed story finds its through line or a hollow character finds its soul.”


Similarly, designers at Apple revealed a process called “Fake It Till You Make It” (WWDC 2014) to elucidate how they come up with and refine app concepts. The three steps involved are Make, Show and Learn. “Show” is a crucial feedback session with potential users. When a concept is in the Show phase, designers will ask three essential questions:


  1. Do you know how to __________?

  2. Is it easy to _________?

  3. How can we make this better?

How can you use these questions to get feedback about your own work?


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Download or stream the entire “Fake It Till You Make It” presentation here.


The Wrong Kind of Feedback


In the quest to find out if your work sucks, getting the right kind of feedback is crucial. Constructive, down-to-earth comments are hard to find, and the last people you’ll want to get them from are friends and family.


Think about it: these people are connected to you on a personal level. We’ve all blindly praised a relative or close friend in an effort to avoid confrontation or gain favor. Relying on feedback from people you have an emotional connection with can be misleading. When your career is on the line, it’s best to look elsewhere for honest feedback.


7 Ways To Get Feedback Now


These days, you don’t have to look very far to find out what people think about your work. In fact, you can get plenty of honest, useful feedback online. The following sites are a great place to start:


1. Dribbble


With nearly half a million designers on board, Dribbble has quickly become the go-to platform for uploading and reviewing creative work. Community members are active and often provide thoughtful feedback. If you’d like to mingle in person, we’ve partnered with Dribbble to organize hundreds of meetups all around the world. Check out this schedule for a meetup near you.


2. Hunie


Hunie is an online community where designers, founders and developers can connect to share design feedback. You can submit your work, receive constructive advice, and even develop mentorship relationships with other designers.


3. Criticue


The website is an online platform that allows businesses and web designers to quickly gather comments and feedback from other professionals in the industry. All reviews are carefully moderated so you don’t have to worry about spam or generic content.


4. Sitepoint


Around since 1999, Sitepoint Forums congregate thousands of passionate designers covering everything from business tips to UX design. The community currently supports different ways to ask for and provide feedback. If you’d like your site (or site concept) to be reviewed, tag your entry with “site-review” and post in the appropriate forum category. If you are looking for a code review, prefix the summary of your thread with [Code Review].


5. Behance


This social platform for designers includes a comment section for every project that you upload. With over 8 million projects uploaded, Behance is a unique space to share and discover creative work. Like Dribbble, Behance hosts local portfolio reviews where you can connect with peers over honest feedback. Check out upcoming events here.


6. Reddit


There’s a special subreddit for design critiques where participants are free to post their work in progress and comment on each others’ pieces.


7. Your own social networks


Social media groups can be a goldmine for honest feedback if you know where to look. Try to stick to professional social platforms like LinkedIn or credible Facebook design communities. Use online surveying tools like Pickfu to to collect comments easily.


Social media groups can be a goldmine for honest feedback if you know where to look. Like online communities, it’s recommended to stick to professional social platforms like LinkedIn or credible Facebook design communities.


Ripping Off the Band-Aid


There’s really no way to ease yourself into the process of receiving feedback. If you’re expecting a ton of reviews on your design, plot the comments on a spreadsheet and organize it later. Lastly, don’t forget to tune down your ego and emotions. Keep an open mind and the rest will follow.



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How to Find Out If Your Work Sucks